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Auvers
23 July 1890

Vincent Van Gogh
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Van Gogh's Paintings:
Allee des Alyscamps
Barche a emi da affittare
Bivouac of Gypsy
Blick auf Arles
Blossoming Chestnut Branches
The Bridge
Butterfly
Cafe Terrace At Night, 1888
The Church at Auvers
The Cows
Dorfstrasse in Saintes-Maries, 1888
The Draw Bridge
Entrance to the Public Gardens in Arles
Field of Poppies
First Steps
Flowerpiece
The Four Seasons: At the Plough
The Four Seasons: Ox Cart in the Snow
The Four Seasons: Potato Harvest
The Four Seasons: The Sower
Fritillaria in a Vase of Copper
Garden with Flowers
The Green Vineyard
Houses at Auvers
House in Auvers
Houses at Auvers
House and Figure
Il Ponte di Asnieres
Irises
Irises
Les Irises (Irises)
Mulberry Tree
The Noonday Nap
Oat Field with Cypress
Oat Field with a View of Arles
Oat Field with Mountains in the Back
The Old Mill, 1888
Olive Grove
The Olive Grove
Olive Orchard
The Olive Trees, 1889
The Orchard
Park in Autumn
Poppies
The Reaping
Restaurant At Sirene
Road to Auvers
Road to St. Remy
Self Portrait, 1889
Shoes
The Siesta
Snowy Road
Sower with the Setting Sun
Stairway at Auvers
Starlight over the Rhone, 1888
Starlight over the Rhone, 1888
The Starry Night
Sunflowers
Sunflowers II
Sunny Path near Auvers
Still Life of Oranges and Lemons
The Stroll, Evening
Van Gogh's Bedroom at Arles
Van Gogh paintings on fine porcelain
Vase of Flowers with Poppies
Vase of Irises, Strauss 1890
Vase with Daisies & Anemones
Vase with Daisies & Poppies
View of Arles with Irises
Vineyards at Auvers, 1890
A Wheat Field
The Wheat Field
Wheatfield with a Reaper
Wheatfield with Crows
The Yellow House
Yellow Wheat and Cypresses



(This letter was found on Vincent's body after his suicide on the 27th. It was evidently a draft of the final letter sent to Theo.)

My dear brother,

Thanks for your kind letter and the 50 fr. note it contained.

There are many things I should like to write you about, but I feel it is useless. I hope you have found those worthy gentlemen favorably disposed toward you.

Your reassuring me as to the peacefulness of your household was hardly worth the trouble, I think, having seen the weal and woe of it for myself. And I quite agree that rearing a boy on a fourth floor is a hell of a job for you as well as Jo.

Since the thing that matters most is going well, why should I say more about things of less importance? My word, before we have a chance of talking business more collectedly, there is likely to be a long way to go.

The other painters, whatever they think of it, instinctively keep themselves at a distance from discussions about actual trade.

Well, the truth is, we can only make our pictures speak. But still, my dear brother, there is this that I have always told you, and I repeat it once more with all the earnestness that can be imparted by an effort of a mind diligently fixed on trying to do as well as one canI tell you again that I shall always consider that you are something other than a simple dealer in Corots, that through my mediation you have your part in the actual production of some canvases, which even in the cataclysm retain their quietude.

For this is what we have got to, and this is all or at the least the chief thing that I can have to tell you at a moment of comparative crisis. At a moment when things are very strained between dealers in pictures by dead artists, and living artists.

Well, I have risked my life for my work, and my reason has half-foundered because of it—all right— you can still choose your side, as far as I can tell you are not one of those dealers in men, I am sure you act with true humanity, but what do you expect?



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